The Light That Stays

8. Breathing — Telling Your Body You’re Safe

Here’s something amazing that scientists (including the one from Chapter 2) have shown: the way you breathe sends a message straight to your brain. Fast, shallow breathing tells your brain we’re in danger! Slow breathing tells it we’re safe, you can relax now. Your breath is like a remote control for how calm or jumpy you feel.

You don’t have to believe me. Try them.

One thing before you do: feel free to skip the counting if it stresses you out. The numbers below are guides, not rules. The real secret of every breath practice in this chapter is one simple thing — make your out-breath longer than your in-breath, and let it all slow down. Whether your in-breath is two seconds or five, whether your out-breath is twice as long or three times as long, none of that really matters. Just slower out than in, and slower than your usual breathing. If counting helps you stay with the rhythm, count. If counting itself makes you tense, drop it. Watch the breath, lengthen the out, and let the rhythm find itself.

The Long Goodbye (the calmer)

Breathe in for a count of 4. Breathe out for a count of 8. The trick is making the out-breath longer than the in-breath. That long, slow exhale is the part that flips your body into calm. Do this five or six times when you feel nervous or upset.

The Double Breath (the fast reset)

Take a normal breath in through your nose — then, before letting it out, sneak in one more little sip of air to top off your lungs. Now let it all out slowly through your mouth, like fogging a window. Two or three of these can settle you down in seconds. (This is the one Huberman talks about as a scientist.)

Square Breathing (the focuser)

Trace a square in your mind. Breathe in for 4 (up the side). Hold for 4 (across the top). Out for 4 (down the side). Hold for 4 (across the bottom). Round and round the square. Great before a test or a game.

Notice what’s actually happening when you do any of these. You’re not really doing the breathing — your body has been breathing all day, all by itself, whether you noticed or not. What you’re really doing is watching — feeling the air at your nostrils, feeling your chest rise and fall, feeling your belly soften, feeling the small pause at the top of each breath and the slightly longer one at the bottom. The closer you get to the actual sensations, the more your body settles, all on its own. That’s the real secret none of these techniques can tell you by themselves: the slowing doesn’t come from effort. It comes from attention. The breath has been waiting for you to notice it. The moment you do, the body knows you’ve come home, and it lets go.

And there’s that watcher again — the one we’ve been finding all through this book. You can’t do a breathing exercise without it. The breath is in front; the one feeling it is, as always, you.

Questions to talk about

No answer key. These are for arguing over, with someone who read the same chapter.

  1. The one rule behind every technique here is: make the out-breath longer than the in-breath. Try five slow rounds. What, if anything, did you notice — and how honest can you be about a small effect?
  2. He says to drop the counting if counting makes you tense. Why would an instruction that helps most people be wrong for some?
  3. 'The slowing doesn't come from effort. It comes from attention.' What else in your life gets better when you simply pay attention to it, without trying to change it?

All 16 chapters of The Light That Stays · Meditation · All courses